Screaming and dancing in honour of eternity, annihilating the pavement, annihilating reality, screaming and dancing against the orchestra in the disposable dancing room of the world.

Paterson, 1949, Allen Ginsberg

The white party project comes from a concept found in a flyer on the street. The project goes around the redefining of an idea, providing it with a new meaning. The whole work shows a critical nature according to occidental society as we understand it and as linked to other cultures. Even though showing a political content my view centres on the individual and on its loneliness towards everything surrounding it, and always from an auto referential point of view. The outer ruin becomes an inner room on uneasiness and restlessness, prelude to change, to shift.